Goergy Dmitrievich Lavrov was born in Siberia in 1895. Studied at Moscow College. Contributed to the Third Exhibition of Paintings by Artists from Kaluga and Moscow held in Kaluga in 1925 and exhibited at the Paris Salons. In 1927, he was sent to Paris on the recommendation of Lunacharsky where he sculpted many of the luminaries of the time including Anna Pavlova, and in 1932 had a one-man show. Skeptical of the reports of oppression in Russia that reached him in Paris, he returned home only to be arrested in 1938, accused of participating in an attempt on Stalin's life. Condemned to five years hard labor, he was subsequently subject to internal exile and was rehabilitated only in 1954. Died in 1991.
I dreamt, last night, that I was in an incense-smoke filled room....filled with 'burners' with bronze dragons atop them....From childhood 'fairy tails' about fire-breathing dragons, I suppose, these images inundated my dreamscape....Awakening, I left my bed, half-sleeping, and decided to floss my teeth to remove a chunk of black walnut that was wedged in the open space, between a pair of back molars, awaiting a dental implant, and ventured by the light of the moon through a window, falling over a rolled-up oriental rug, stumbling into the harpsichord, from which fell a heavy Chinese censer with a dragon atop its lid.....some kind of synchronicity, happenstance and coincidence conjured abstract considerations of Cosmic forces at play with my imagination....then, turning a lamp 'on'....the room was just a room, with blue, powered incense spilling onto the sound board.....Sneezing from having inhaled some of the blue crystalline powder, I glanced at the carved...
The Paper, now separated from itself, the visions behind the halves move far away, the words for thoughts vanish like the thoughts themselves, and unsupported, the thin textures fall into the ink of being, and crumbled, become a black, fibrous mass of what may have been. The edge has severed two likenesses from one, and nothing remains of either but this clumping memory. Dust to Dusk by Sampson-Carroll
GIOTTO'S COLLAR Clinging to remnants of the fabric of childhood, with associations contrived to give new meaning, reversing the inexpressible praeternatural longing that stymies the logical devices of youthful process thinking, aged children, drooping petals of spent flowers, call to figments of their past, grasping for understanding, compassionate renderings of their own histories, the completion of grounded dreams and expectations, the revelations of constructs that are but fabrications of necessity. Unspoken by Jami Sieber
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